Last year’s disappointing FalseĪlarmmerely confirmed what’s likely to be their permanent status, as
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Of the UK Albums Chart, confirmed the band as one of the biggest in Britain,īut the overly-lengthy gap between that and when third album Gameshowwas eventually released in late 2016 into a music scene that had moved on It’s a trick that has yielded diminishing creative returns for Two Door CinemaĬlub in the subsequent decade. That the album drops the tempo and intensity even slightly. It’s only on the ninth track, ‘Eat That Up, It’s Good For You’, More anthemic were the soaring, sunbathed ‘This Is The Life’, the playful You Know’, still used to close 2DCC’s live sets and the modestĪll?’ that evokes someone looking shyly up from their feet on theĭancefloor. Is built on a faintly tropical, Graceland-esque rhythm the glinting The band’s irresistible calling card ‘Something Good Can Work’ Usual frills and histrionics of rock either purged or subordinated to the task From the tingling intro of ‘Cigarettes In The Theatre’ toĪre Not Stubborn’, these tracks immediately engage the listener, with the Workmanlike duty, of keeping things basic and unfussy, but simply because theyĭidn’t need to do anything else. This wasn’t the result of some kind sense of Simply isn’t an ounce of fat on Tourist History – each of its 10 By sticking to the key principle of economy in songwriting,ĢDCC fit ten sleek, guitar-pop Exocet missiles in just a little over 32 In Alex Trimble’s breathy falsetto that occasionallyīreaks into a skyscraping chorus, there precursors in the shape of Death Cabįor Cutie’s Ben Gibbard or The Shins’ James Mercer. Halliday’s guitars, you can hear Noughties post-punk revivalists such as Bloc Music video for ‘Something Good Can Work’ Turning platinum in early 2013 with sales of nearly 400,000 to date.
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One by one, and it peaked at no.24 a full 15 months later in May 2011, before Graft and toured relentlessly behind Tourist History, winning fans over Week and scraping the top fifty of the UK Albums Chart, 2DCC put in the hard While selling a little over 5,000 copies in its first Singles from April 2009 to February the following year when the finishedĪrticle was released. Critically, theyīuilt up to the release of their debut gradually, releasing a steady stream of
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Quickly assembled Tourist History, re-working three of theirĪforementioned EP’s tracks alongside plus seven new ones. History, would slowly take them from national stardom to internationalĪcclaim and the status of festival favourites.īetween Eastcote studios in north-west London, where 2DCC had relocated in earlyĢ009, and Paris with the assistance of Phoenix producer Phillipe Zdar, the band But the release of their first full-length, Tourist Upon their reputation as impressive live performance, and who had self-released Back then, Bangor’s Twoĭoor Cinema Club had a fervent but firmly local following, largely based Quietly released in mid-February on the French independent (and largelyĮlectronic) Kitsuné imprint.
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Pop’s grand resurgence and the irritating rise of EDM, a debut album was But every musical era has an exception to its rules. Certainly, as the 2010s dawned, indie-rock was certainlyĭwindling as a credible cultural force, undermined by changes in technology,Ĭonsumption and fashion. Guitar-based indie music or, according to naysayers, the beginning of the end Of the last decade is generally held to have been, at best, a fallow period for